Phantom Choreographies for Flute, Clarinet and Cello

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Phantom Choreographies was inspired by the spectral imagery in William Blake’s visionary paintings, encountered during my visit to the Tate Museum in London. This three-movement chamber work explores the liminal space between the seen and unseen, conjuring ghostly tableaux where sound becomes a kinetic form of the supernatural.

 

I. Dance of the Unbecoming opens with a clumsy, menacing stomp—an ancestral peasant dance that morphs into a slow, medieval procession before collapsing into a crude, spectral finale.

 

II. Whispers from Beyond inhabits a haunted stillness. Sparse, breath-like gestures evolve into a fragile dialogue with the unseen, where each note feels like a message from another realm.

 

III. March of Savage Shadows bursts forth with rhythmic force. Ghostly figures parade in a distorted procession, echoing Blake’s darker visions of spiritual struggle and ecstatic revelation.

 

Together, these movements form a sonic canvas—an invitation to witness the choreography of phantoms as they drift through memory, myth, and imagination. My sincere gratitude to the TEMPO Ensemble at Cal State Northridge, whose extraordinary artistry, support, and dedication brought this project to life.

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I.  Dance of the Unbecoming      II. Whispers from Beyond       III. March of Savage Shadows

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